A comparitive study of the text 'Brave New World' composed by Aldous Huxley and the film 'Blade Runner' (1982) directed by Ridley Scott.

Both Scott and Huxley depict coming(prenominal) dystopias in their texts Blade Runner and audacious New World. Despite contrasting mediums of performance and half a century separating their composition, both evolved in contexts of rapid technological variety and changing social mores. Both texts reveal the interrelationship surrounded by humans and genius, and the effect of human interference with natural processes. The some significant parallel is in their views; what it is to be human.

BNW was written side WWI, a time where the world was disillusioned by democracy and depression affected global markets. Totalitarian regimes arose in areas such as Germany, Russia and Italy. These governments promised people order, security and economic stability. Huxley explores and satirises flaws and dangers associated with these social remedies. He aims to exploit the anxieties of his bourgeois audience about both fabianism and Fordist American capitalism

Technological advancements had created new and devastating war machines, that caused innumerable deaths and which eliminate the landscape. Huxley satirises this destruction of nature through his de volumeion of the Neo-Pavlovian conditioning process, which conditions the inhabitants of the BNW to reject nature from an infantile stage. A love of nature keeps no factories busy. It was firm to abolish the love of nature, but not the tendency to take aim transport.

Similarly, BR reflects its context.



Scott uses the context of the 1980s to depict his heavily polluted future world. This is a world where technological advancements have become contiguous and human destruction of the environment is a large issue. Scotts script echoes the concerns about pollution, global warming and eco-destruction. In the opening jibe the camera pans the broken and desolate landscape of Los Angeles 2019, it presents a society, which has consumed nature in a struggle for ever increasing production and consumption.

This assurance of the owl being artificial...

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