Spotted horses vs. mule in the

“ spotty Horses” Vs. “scuff in the honey oil”         William Faulkner wrote two footling stories, which be alike in many aspects. “Spotted Horses” and “scuff in the curtilage” ar short stories that both use up comic animal chases and financial transactions. Even though the stories atomic number 18 write by the same author, fox similar characteristics, and consider similar plan features, they are entirely different stories. The stories are both examples of instructive writings, however “Spotted Horses” is a to a greater extent interpretive short bosh than “Mule in the Yard because “Spotted Horses” fits Perrine’s profile of interpretive writings, and “Mule in the Yard” seems to replicate Perrine’s profile of quarter around belles-lettres.

         accord to Laurence Perrine in his seventh edition of Literature: Structure, Sound and ace he states the definition of interpretive literature is “Literature written to deepen and broaden and sharpen our awareness of life.” Interpretive literature is not notifydy coated. It allows its readers to experience the trials and tribulations of life. By using graphically realistic plots and final stages, which are consistent to those in real life, interpretive literature achieves a higher literary value than feed literature. Interpretive literature allows its reader too step expose of the fantasy world they mightiness be living in and focus on what the world is really ab out(a). One might say an interpretive story provides insight to understanding. Not exclusively understanding of ourselves, moreover our neighbors, friends, family or anyone else we might encounter.

        Escape literature is the complete opposite of interpretive literature. Escape literature is written purely for entertainment. Escape literature takes it’s reader out of the real world and into a fantasy world where everything whole caboodle and happens just like we want it to. This is a world where the ending evermore has closure. Escapist authors hardly ever end on a bad note. They want the reader to leave the pages of their story satisfied, and having a sense of contentment. Perrine’s example of escape literature is Cinderella. Cinderella’s life goes from rags to riches in one night. She marries a prince and lives happily ever after. According to Perrine the most common expectations of escape literature readers are the sympathetic heroes or heroines, the perplexityful plot which one exciting event proceeds another, the resolved glad outcome, and the theme. Escape literature themes confirm the reader’s previous opinions of the world. Readers of escape literature read for pleasure not to insert knowledge on how to survive in the real world.

        The expiration between escape literature and interpretive literature has zippo to do with the absence or presence of morals, facts, fantasy, or history. The chief(prenominal) difference between the two is the purpose for which the story is written.

        “Mule in the Yard” by William Faulkner is an interpretive story. However, “Spotted Horses” is a more than interpretive story. Even though “Mule in the Yard” is interpretive, it has a few escape literature qualities. The admirer for “Mule in the Yard” was Mrs. Hait, and the antagonist was Snopes. The central employment between the two of them was that Snopes had succeeded in killing Mrs. Hait’s economise and getting away with it. Justice being served resolved the conflict. Snope’s fraud attempts where disc all overed by the insurance agency, and Mrs. Hait got her revenge by shooting his mule. This explains your typical “reader friendly” escapist ending. Where as, in “Spotted Horses”, the ending is more unresolved. “Spotted Horses” uses a more true to life situation where what the reader would stereotype as an unhappy or indeterminate ending because justice was not served and good did not prevail over evil.

“Spotted Horses” is a more interpretive story than “Mule in the Yard” because of the plausibility of the coincidences. The entire passage about the fire in “Mule in the Yard” seems impossible. The chances are slim to no(prenominal) of Mrs.



Hait leaving the bucket of hot coals and the pile of fire footing pitch pine needles set next to the stairs leaders down to the seller, where Snopes just so happened to leave the door opened. no(prenominal) of it really seems possible. “Spotted Horses” has a few coincidences, but they are somewhat debatable. The fact that Eula Varner was pregnant and had to get get hitched with, so Flem Snopes married her to be able to take advantage of her family more well was one instance of coincidence. We know from experience many pot use their position on to move up in the world. By manipulating the people in a situation, one can many times either profit or mitigate them as a result. Flem may have just been operative to better himself by answering the door while prospect was knocking. This may have not been a coincidence. William Faulkner may have simply employ this instance to aid in his motion-picture show of Flem Snopes.

Another of Perrine’s expectations of escape literature can be described as a “busy plot”. This is where something is continuously happening throughout the story to keep the readers attention. The plot used in “Mule in the Yard” resembles the description. on that point is always something going on between Mrs. Hait and Snopes. Mrs. Hait’s husband gets killed, she and Snopes troth over money, Mrs. Hait’s house burns down, she and Snopes fight over money again, Snopes gets busted for fraud by the insurance company, and Mrs. Hait shoots a mule all this happens in ninety paragraphs. Once again, “Spotted Horses” is proved to be the more interpretive of the two stories because it’s plot was not written for entertainment. There is no suspense in “Spotted Horses”.

         “Mule in the Yard” is not a bad story. It is actually an interpretive piece of literature. There are some instances where it could be borderline escape literature, but overall it is interpretive. When compared to “Spotted Horses”, it is the more escapist of the two.

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