Hollowness in Emily Dickinson’s Poetic Discourse Essay example -- Biog

Hollowness in Emily Dickinsons Poetic Discourse often has been said about Emily Dickinsons mystifying poetry and private life, oddly during the years 1860-63. Allegedly it was during these years that the poetess, at the most prolific stagecoach of her career, withdrew from society, began to wear her characteristic white dress and suffered a series of psycho episodes. Dickinson tended to theatricalize herself by speaking through a host of personae in her poems and by fictionalizing her inner life as a gothic romance (Gilbert 584). accept that a poem is the best words in the best rate (to quote S.T. Coleridge) and that all the poems stemming from a single consciousness bring to ascend different aspects / manifestations of the same personal mythology, I will firstly neglectfulness biographical details in my interpretation of Dickinsons poems 378, 341 and 280 and secondly touch them in a sort of continuum (starting with 378 and ending with 280) to show how they attempt to r efer a plunge into the Unconscious and a lapse into madness (I hold back from using the term journey, for it implies a telos, a goal which, whether unattainable or not, is something non-existent in the poems in question). Faced with the problem of articulating and concretizing inner psychological states, Dickinson created a totally new poetic discourse which lacks a transcendental good sense and thus can dramatize the three stages of a (narrated) mental open existential despair, withdrawal from the world of the senses and death of consciousness. In poem 378 the referee is introduced to the mental world of a speaker whose relentless questioning of metaphysical truths has led her to a state of complete faithlessness l... ...sons rhyme Stairway of Surprise. New York Holt, 1960.Eberwein, Jane Donahue. Dickinson Strategies of Limitation. Amherst U of Massachusetts P, 1985.Feit Diehl, Joanne. Ransom in a Voice expression as Defense in Dickinsons Poetry. feminist Critics Read E mily Dickinson. Ed. Suzanne Juhasz. Bloomington Indiana UP, 1983. 156-75. Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic The Woman Writer and the nineteenth Century Literary Imagination. New Haven Yale UP, 1979. Homans, Margaret. Oh, Vision of Language Dickinsons Poems of Love and Death. Feminist Critics Read Emily Dickinson. Ed. Suzanne Juhasz. Bloomington Indiana UP, 1983. 114-33. Miller, Cristanne. How Low Feet Stagger Disruptions of Language in Dickinsons Poetry. Feminist Critics Read Emily Dickinson. Ed. Suzanne Juhasz. Bloomington Indiana UP, 1983. 134-55.